Thursday, November 19, 2009

A Writer's Reflection


Writers, generally, are fond of highlighting the glories and shortfalls of other professions, but I find myself, usually without much exertion of effort on my behalf, writing about my profession in a manner with neither veneration nor morosity, but rather with a certain detachment that seeks to showcase my perception of life from my own point of view. It might lie in the fact that most, if not all, in my wonderful line of work come upon incessant periods devoid of motivation lifting neither pen nor paper; stretches of time when the very meaning of existence floats out of reach of any comprehensible universe and they are forced to look at others' lives for something to give their time purpose.
It was during one of these devilsend (as I figure it to be the opposite of godsend) times that I decided to explore the woods by my apartment. In the summer, when I moved here, the foliage clung tightly to each other as the undergrowth raced upwards, fed by rain as abundant as was in the days of that great patriarch Noah, to mingle with the branches of the trees towering above them. I, in my infinite ignorance of the fact then, concluded that there was little of interest beyond the ragged edge, but that changed with the coming of autumn and the withering of the once-lush weeds.
Soon after the leaves put up their yearly color-morphing show, they fell and left a void where an impenetrable wall of green had once stood. What fascinated me more, however, was that there seemed to be a path leading further into the woods; this path beckoned, teasing me to follow it to see where the rabbit hole leads to. The urge being greater than the natural resistance afforded me by the benevolent creator, I put on my jacket and boots and followed the cleared path into the leaf-carpeted belly of the woods.
Fear set in with apprehension and a certain degree of senselessness that I couldn’t explain. I followed the wide path for about one hundred yards; observing the woods with fixed intensity, tensing at the slightest rustle of the fallen leaves. I stopped, now and then, to take photographs of trees or discarded material that managed to wrestle my attention from my canopy of fear.  There was an old, rusted iron bucket and a steel peg, still attached to a limp cable, which rattled its complaint at my attempts to dislodge it. There, also, was a smooth, mauve rubber ball still in decent condition, but I was hampered from taking it by a protective garb of twigs that had gathered themselves around it.
The greatest article of importance, however, lay at the edge of the woods; where the trees stop and the shrubbery continues as if unaware of their companions’ halt. There, on the path with its rear on woods side of the path and its fore in the clearing, was an old dump truck, its front wheels collapsed as if knelt in never-ending prayer, and its canary paint still alive despite invading swathes of brown rust. I took pictures of the discarded mammoth, wondering why it had been necessary to abandon it there.
I climbed on its muzzle and stood watching the descending countryside before me. I could see the land rolling and heaving into the far horizon, the sea of treetops at times broken by a building or steel tower on a distant hilltop. I looked over the truck again, noticing the high weeds growing in its massive bed, which still containing its last load, deemed worthless as the bearer on whose back it now waited out its eternal rest, and the iced-over pond on its roof, with its organisms busily milling about on its visible bottom.  I took in as much of the truck as I could and it started me on a path of thought I dreaded to tread.
I began to think about the truck, its purpose, its demise, and its neglect; having served its purpose, it was now time to fade out of existence. I looked at the leaves on the floor, the weathered weeds, and the rotting, fallen tree limbs. They all, at one time, had been vibrant, alive and serving a purpose at which, I assume with measured certainty, they had been good. I, too, was the same as the death of autumn surrounding in as much as I would be here for a season and then fade off to make way for a newer generation. My earlier reprehension of the woods –my fear –fled the more I thought about the lessons the old dumper had brought to my attention.
I offered a prayer for the woods, the leaves, the truck, and the souls whose feet had trod that area eons before, and those that would eons after me. I offered condolences to the leaves for stepping on them; that was the way of life, and I, also, would one day be laid in the soil, feed the earth, and be tramped upon by nature. Yes, that was the way of life – to live out one’s purpose, then make way for a future that was, in every way, greater and equal to us. That purpose, in my case, was to be a mirror for the world; to have it see itself as it is, with all its blemishes as much as its beauty.
I walked back home deep in thought and lacking in fear as one can be without having breathed his last. I passed the spot of the twine-protected ball and its defenses did not seem impregnable as they had before, but I had no intention of disturbing its repose. The rusty bucked and the peg and its cable were also left in their peace.  Things were a little clearer for me now and I had found the inspiration I had hoped to when I set off for my promenade, but it also came with a bonus lesson of life.
As I cleared the woods into the trimmed grass on my apartment’s grounds, I turned back towards the hibernating woods, whispered my thanks again, and let my eyes swim over the area that had terrified me before. Humbled and grateful, I covered the few yards to my door, entered and began to write. This is what I wrote.

Wednesday, November 18, 2009

Poetry Project:::Last Entry

Okay, I know we've all been waiting for this project to be over so I can move on to talking about more meaningful things like...well, drinking hot chocolate at noon, or something like that. For the final edit, I changed just a few things; I removed the previous first line and began with the second line and added a new third line - not really a new line as it was in some of the previous edits.
So, here it is, I hope you enjoyed the process of trying to establish some type of rhyming sequence in my poem, and keep coming back to see what is going on. The doodling helps me focus, so you will see it on a lot of the materials I scan.






Tuesday, November 17, 2009

Almost Done:::Poetry Project

I didn't want to spend days posting on the progress of the rhyming project, so I decided to go through it a few times and post something close to the finished product. I just remembered reading, years ago, about the process and progress of Beethoven writing his famous Symphony No. 9; how the finished work was noticeably different from the first draft. I am not saying I'm in the same class as Beethoven, but I think the process for all artists is the same.
Anyways, back to me and my attempt to rhyme my poem. I will post my thought process, then put up an image to show what I did.

Step 1 (not really step 1, but we have to start somewhere)

I decided to rewrite the poem from a different angle, but I decided against it as this is just a project poem and I don't want to spend a lot of time on it. It would have set us back to square 1.
I thought it was necessary for me to outline what I want to show through the poem: Me, the brook, its story, me not understanding the story, and ending on hope for understanding it in the future. 

 
Step 2

I try to rewrite it using the sequence I had established in the previous step. However, I switched and wrote from the point of view of me understanding its story and the underlying message that comes with it. I want to show that all things are one, from the lofty heights of the mountains, to the valleys, to the oceans


Step 3

That radical change brought a lot of confusion from me, but, as often is the case, through that tangling of nerves and words, burst through what I wanted to do with the poem - like the sun's rays breaking through overcast heavens. I moved towards the idea of me "seeing" the path of its travels from the mountains to the ocean, while still unable to comprehend the story. So I was able to see it without understanding it and hoping that I will with the next trickle of the feeble sike. 

Step 4

This is the last step for today's post, but the project is not done yet; I will post the last one tomorrow.
Here, everything came together and I was able to see the poem a little more polished in terms of rhyming. I ditched the ABAB structure and moved towards ABACDC (I have it marked at the end of the lines).
The top part of the page is the raw writing, and the bottom is the easier to read handwriting with a little sketch I did about the scene.


I hope you were able to read the chicken handwriting (my apologies to the chickens worldwide) and understand the processes I went through. I will post the last version tomorrow, and, remember, this is a project poem and poetry is my weakness, so go easy on me...Thanks for your time and keep writing...